Henry Cooke White

Background

Born in Hartford, White passed up his father’s profession in favor of a career as a noted painter, writer and art teacher. White’s principal mentor was Dwight Tryon with whom he began studying at age fourteen and whose authorized biography he completed in 1930. From age thirty until his death more than sixty years later, White lived and painted at least part of the year in Waterford, Connecticut. He was an original member of the art colony at Old Lyme from 1903 to 1907, where he met and made friends with many of the leading American Impressionists.

Father of Nelson Cooke White, and grandfather of Nelson Holbrook White.

Henry and Grace White sailing with son John in their boat, ca. 1893.
Henry and Grace White sailing with son John in their boat, ca. 1893.
Henry C. White teaching his grandsons how to row a boat.
Henry C. White teaching his grandsons how to row a boat.
Moonrise Moonrise 20 x 30 in. oil
Moonrise Moonrise 20 x 30 in. oil
HCWhite Spring Evening 30 x 40 in. oil
Spring Evening 30 x 40 in. oil
Early Autumn 10 x 14 in. oil 1897
Early Autumn 10 x 14 in. oil 1897
Autumn LandscapeAutumn Landscape 12 x 16 in. oil 1926 12 x 16 in. oil 1926
Autumn Landscape 12 x 16 in. oil 1926
Sweet's Yard Greenport Lithograph 8 x 10 in. 1924
Sweet's Yard Greenport Lithograph 8 x 10 in. 1924
The Connecticut River, Reflections 10x13 in.pastel
New London Harbor 11 x 22 in. oil
New London Harbor 11 x 22 in. oil
Oak in Spring 30 x 40 in. oil
Oak in Spring 30 x 40 in. oil
Nassau 9 ¼ x ½ in. pastel 1917
Nassau 9 ¼ x ½ in. pastel 1917
Clearing After Storm New London 18 x 24 in. oil 1903
Clearing After Storm New London 18 x 24 in. oil 1903
The Shipyard 9 x 12 in. oil 1924
The Shipyard 9 x 12 in. oil 1924
Festival of the Redentore 6 ¼ x ½ in. pastel 1928
Festival of the Redentore 6 ¼ x ½ in. pastel 1928
Greenport oil
Greenport oil
Autumn Landscape 12 x 16 in. oil 1926
Autumn Landscape 12 x 16 in. oil 1926
Portrait (The Old Man) 18 x 24 in. oil 1878
Portrait (The Old Man) 18 x 24 in. oil 1878
Tidal Marsh with Copse pastel 9 ⅞ x 14 ⅜ in. 1895
Tidal Marsh with Copse pastel 9 ⅞ x 14 ⅜ in. 1895
Early November Marsh 12 ⅛ x 16 in. pastel
Early November Marsh 12 ⅛ x 16 in. pastel
First House White's Point 9 ¼ x ⅞ in. pastel before 1914 #F4CA
First House White's Point 9 ¼ x ⅞ in. pastel before 1914

All paintings photographed by Ted Hendrickson

Writings

“During the years from 1928 to 1938 my interests and activities were mostly concerned with our domestic life at Waterford in addition to our acquisition and use of the yawl and the building of a new house at Shelter Island.  My three grandsons were born during that decade… From their earliest years their father and I have educated them in the practice and enjoyment of our sports and recreation in the summer, of sailing and fishing…”

Memoirs of Henry C. White
Privately printed

“How fortunate we all were to come under the direct influences, the severe discipline of the tradition of Ingres, acquired by Tryon in the unique drawing school of Jaquessson de la Chevreuse, passed on to us and driven home with the force and clearness of Tryon’s scientific mind and dynamic personality.  Drawing!  The probity of art!  Proportions! The big proportions!  The character of the masses, the action – and values!  We took it all for granted then.  This was the right, the only logical way to draw.  We knew no other.”

Quoted from White’s biography of Dwight Tryon

The Life and Art of Dwight William Tryon by Henry C. White
 
In this biography by a favorite pupil of Tryon, we relive the interesting life of one of our most gifted painters.  All his youthful struggles and adventures, his contacts with the talented people of his time in Europe and America make it absorbing reading.  Mark Twain at his home in Hartford, the liberal-minded Horace Bushnell, the actor Otis Skinner in his youth, Joe Jefferson,  Cleveland at his sport of fishing, the artists Ryder, Dewing, Thayer, and Homer Martin, the great collector Charles L. Freer, the Barbizon painters in France, and student life in Paris in the late seventies are all presented vividly and with many anecdotes. 
 
Tryon’s art is also revealed at full length by text and by elaborate illustration, hi life as a fisherman and sailor, his long experience as a teacher are told in detail, and when we have finished we feel we have lived, in retrospect, one of the most significant periods of American development. 
Exhibitions

Visions of Mood: Henry C. White Pastels Learn more
Florence Griswold Museum
April 18-July 12, 2009
A treasure trove
By Kristina Dorsey Day Arts Editor

Additional information

The Life and Art of Dwight William Tryon Pamphlet. View pamphlet

Just a bit about books of the day  Read article

View works by the Whites in the permanent collections of the following museums:
Wadsworth Atheneum, Hartford, CT
New Britain Museum of American Art, New Britain, CT
Florence Griswold Museum, Old Lyme, CT
Lyman Allyn Art Museum, New London, CT

Credit: Attributed to Henry C. White, Photograph of artists on the side porch of Florence Griswold’s house, Old Lyme (left to right: Walter Griffin [standing, in top hat], Mrs. Henry C. White, Nelson C. White, Allen B. Talcott [shadowed in rear], Will Howe Foote [with pipe]), 1903. Florence Griswold Museum, White Family Archives Collection, Lyme Historical Society Archives, Gift of George and Betsy White
Photo of Nancy Savinwith Nelson C White